Відео

Hello, it's a wonderful song produced by another great maestro. I would really like to be able to listen to Mike's mix... Is it somewhere? I await your comments! Thank you so much!!!!

Paterno is SO right!! The phase damage that M/S stuff makes the music unlistenable if used beyond 3 or 4 percent.

Great stuff Thx

Interesting look at an original CV, and I like the idea of getting the fifth harmonic on the added percusion, but I'm curious why the pedalboard is missing here. I see the pedal switch assembly in there, but the pedals really are one of the key things that set an organ, whether real pipes or Hammond, apart from all other instruments. Hopefully you still do have the pedalboard for this instrument. I notice in some of the comments words to the effect that "it's not a B3" to which I would say, "so what?" It's a traditional tone wheel Hammond, and that is the important fact. Whether or not the console has solid sides or four legs is not important. It's a Hammond, and that's what makes it special, not the woodwork of the console. I always preferred the looks of a C console over a B console, but when I'm on the bench at a gig, B or C is irrelevant in my opinion. Looks like I see the older style 25 section vibrato line box in there since the music rack is off, and there's a subtle but noticeable difference in the resulting vibrato that you get from these older line boxes, which I think sound better and more "Leslie-like" than the vibrato that you get from the newer all-metal vibrato line boxes that mount on the back of the upper manual. Referring of course to the V3 setting.

Can anyone explain what correction software is and where one can get it? Thanks

Straight and to the point. Fab 🙏

i just got the demo of AA2 and then found this vid..wow it does throw my gain stages off..as you mentioned..looks like Im starrting from scratch!

seems to lose highs when on but more focused for sure..in this case (so far..) for this kinda groove I kinda like it off..but that depends on what else is in the session too I guess TX

PURDIE SHUFFLE!

Rick and Dave.... THANK YOU For reminding of this band..... It's been years since I watched the Enter Sand Man" Vid".... Before this, I was just stuck in my 90's alt/grunge... YOU ALL HAVE given me the music ive been waiting for!!!! VIVA LA WARNING!!!!!!!

Just couple a guys horsing around, that know a ton about atmos

Cool tip but that mix at the end is horridly compressed crushed and distorted.

Ale is just way too Ale for those mofos. Thunder fingers.

they are so used to seeing otherwordly mics that they didnt show us the classic beauties we all wanna see haha. incredible studio. seem like great guys too

White men, especially in western cultures arent confronted with social justice. I came here to hear audio engineering, and i just heard about it for thirty minutes. Huge fan, rip albini

I feel Andrew on that no half assing it...if I'm in I'm on anything, I'm ALL in...This is such an awesome series, Thank You Mr. Scheps & Puremix!!! =)

How do I do this? Can you go in depth on what setting I should use for that?

A wonderfully presented explanation, very good and super useful

When you have multiple sources - predelay can give the illusion of sound sources being closer or further away. It’s not that apparent when you do it with just one sound source.

This definitely not a how to...

Ironically the mix isn't great

Awesome interview! Always love listening to Andrew... And it was great to hear from Men Scott who just happened to work on some of the biggest and most influencal records of my adolescence! Super fun, thanks!

8:45 level up David mic… sound is off

This is not to brag but only as an indication: Everything I do I only ever mixed on 7506s. My records (under various aliases and different genres) get airplay on radios like BBC's 1xtra and by serious club DJs. They work. I don't use big speakers.

Too many cooks spoil the broth . That's my humble opinion. I would be frustrated with the amount of people in Studio 2 . I bet it wasnt as crowded as this when The Beatles were recording the Please Please Me album . Just my opinion

I went to the LA Recording workshop in 1988. Learned a lot.

You are the best, thank you very much man

In my experience...Good planars... Harmon curve EQ, Can Opener for stereo imaging.... Better than most monitors in most unless you have a good amount of money to spend.. (in my experience). Whatever works for you.... Whatever lets you get good translation... Is right! But yes you have to also make sure it works well on headphones! Very very important! And check them on workers too.... The car test is really, really important too...

I don’t know. I just checked the smell a big crack of shit here.

oof I'd love to hear the Butch mixes of Nevermind!

Please add ableton link!

DELAY REVERB TRICK, CREATE BUS: DELAY (40 PERCENT BLEND) SO CLEAN VOCAL AND 40% DELAY ARE GOING INTO THE REVERB) SNAP IT TO SESSION GRID. PLAY WITH FEEDBACK, INPUT LEVEL AND BLEND TO TASTE OF TRACK. REVERB: HALL LARGE, 100% WET, PRE-DELAY 0, DECAY 10.0 sec, DIFFUSION 87%, HI CUT 15.10 KHZ LOW CUT OFF

This was all recorded to tape correct ?

😆😆 Beaaahahahaaa! My gawd these are funny! 😂🤣

Tim Palmer begins talking about something important at about the 1:15:00 mark on beyond about how a certain amount of gate keeping in the music industry CHANGED HOW WE WERE INTRODUCED to a song. We were given more opportunities to hear it even if upon first listen we didn’t “think” we liked it. Andrew chimes in with the same thought. I noticed long long ago that songs I instantly liked right away on first listen were NOT necessarily the ones I liked so much after hearing the whole batch a dozen times. Songs I DIDN’T like so much at first often ended up being my absolute favorite! It seems to have something to do with COMPLEXITY. If it was SIMPLE enough to LOVE the first time, then it probably was not deep enough to still love once you got to really know it. And… those songs that were deep and rich and complex enough to LOVE the 10th through 10,000th time were probably too much so to be easily taken in on the first or second listens. So you(incorrectly) THINK you don’t care for them. SO WHAT’S MY POINT? My point is that when you encounter an Album of Songs that are clearly complex in arrangement, and clearly have a lot of changes and complexity - but upon first listen you don’t think you care for it very much… - PERK UP! Because what is described and talked about above means that by the 10th or 15th time through….. this may just be something you realize you adore, and can’t wait to hear again, and possibly even come to CHERISH as something you feel you cannot live without!! I would Say that 90 percent Of my Favorite music Came to me This way. Don’t let the new delivery methods rob you of this chance!

This is video is so helpful but also so dense. I think it would be much better if it's split in at least 3 parts. Also, it needs an update, but it's still useful nowadays

Bonus tip: To add the cherry on the cake, try adding small reverb with short decay on top of the high vocal. You'll see what it does, thank me later

never stage a virtual organ. Too many weak links in audio chain including a laptop or HX-type box that can reboot on glitch.

I’m looking to create a playlist via the app instead of having to walk out of my booth and use the drag function. To record multiple vocal takes. Any idea how to do this via control app on my iPad!?? Thanks!

Glad to see you up on thangs !! Keep it up!!

could you give the link to the multitrack files?

Team and Andrew, thank you very much for this! With the sad news this was more than a jewel to find. Rest in peace Steve

What happened to part 2?

R.I.P Steve . I loved that Stooges album he did . And he was right Mike Watt was absolutely giddy being able to play with those guys ! I love it.

I feel so at home listening to those 2. Greatest 4 hrs itw ever

I fully agree with Mark about Death Magnetic. It’s an album that sounds exactly how it needed to sound. It has a context, and it fits into it that context perfectly.

“We do it in part because it’s the way we can be in the band.” OH MY GOD, YES!! For me that was a huge part of what kept me in the business for almost 20 years. It’s what kept me in doing the 20-hour work days! It’s what kept me so devoted to the end product that nothing else in the world mattered during those hours! During those days. During those WEEKS! It’s what kept me in so deep that I would kill for that band for almost 18 years! It was never the money. Heck, if it was just enough to keep the bill collectors away then it was good enough. Yup, this was it. For almost 20 years this was it!!

Im seeing alot of mixed reviews depending if its a review in favor for sublab or against it. Im not sure what to believe . There is so man fish oil salesman these days and it makes it difficult to know who the sa Sellouts are and who genuinely supports something. Its like they want us to lose our way through the fog and waste our money.

“Don’t be a dick” is a quotation attributable to actor Wil Wheaton (who is known for playing Wesley Crusher on Star Trek: The Next Generation.) He was an early adopter of Web technologies, he had his own website when such a thing was still very rare, and was an online gamer way back in years like 1999, 2000, 2001, etc., But mostly he was known for being the first person to have a popular “blog”. Remember when we thought blogs were going to be a big thing in the future? Wheaton won a couple of the earliest “bloggie awards” for his widely read blog, in which he popularized the phrase “Wil Wheaton’s first law of the internet is: Don’t be a Dick.” Often shortened to: “Wheaton’s first law of the Internet is: Don’t be a Dick.” Now it’s most frequently seen as just “don’t be a dick” with no prelude, or “Wheaton’s Law”. www.wired.com/2012/02/on-explaining-wheatons-law/ Your internet history lesson has been brought to you today by an old dinosaur named Dane Paul Stewart. Formerly an 80’s and 90’s recording engineer, programmer, keyboardist and record producer from the original 80’s and 90’s Chicago House music and Techno scene. A.K.A. a dinosaur. 🤷‍♂️

RIP Steve. Thanks for answering my question on Neurosis and Sunn O))). The passion he had for these bands was great.